Amogh N P
 In loving memory of Amogh N P — Architect · Designer · Visionary 
The Great Stupa at Sanchi — the hemispherical anda ringed by its stone railing, with a carved torana gateway in front.
Unit II25ART201 · History of Architecture - I

Buddhist Architecture

The stupa, the chaitya and the vihara — India's first great religious building.

≈ 35 min + study task

Buddhism gave India its first great architecture in durable form. Where earlier building was mostly timber and brick that has perished, the Buddhist age left us stone — the relic mound or stupa, the rock-cut prayer hall or chaitya, and the monastery or vihara — together with Asoka's polished pillars and the Greek-touched sculpture of Gandhara. These are the building blocks every later Indian style would build upon.

Learning objectives

By the end of this lesson, you will be able to — mapped to the course outcomes for History of Architecture I:

1
CO2 · Understand

Distinguish Hinayana and Mahayana phases and how each shaped building form.

2
CO2 · Analyse

Name and explain every part of a stupa, from the anda to the chhatra.

3
CO2 · Analyse

Compare the chaitya prayer-hall with the vihara monastery in plan and use.

4
CO6 · Understand

Account for the Hellenistic influence visible in Gandhara at sites like Takht-i-Bahi.

Sanchi

The stupa — a relic mound

A stupa is solid, not hollow: a hemispherical dome (anda) over relics, crowned by a railed harmika and a mast (yashti) of tiered umbrellas (chhatra). A railing (vedika) and carved gateways (torana) enclose the circumambulation path (pradakshina). The Great Stupa at Sanchi — begun under Asoka and enlarged later — is the finest survivor.[1, 3]

Anatomy of a stupa — Sanchi torana (gateway) chhatra (umbrellas) harmika anda (dome) medhi (drum) pradakshina — circumambulation path inside the vedika railing
DiagramAnatomy of a stupa: dome (anda) on a drum, crowned by a harmika, yashti mast and chhatra umbrellas, enclosed by a vedika railing and entered through a torana gateway with a pradakshina path
The Great Stupa at Sanchi — the hemispherical anda ringed by its stone railing, with a carved torana gateway in front.
PhotoThe Great Stupa at Sanchi — the hemispherical anda ringed by its stone railing, with a carved torana gateway in front.Bernard Gagnon · CC BY-SA 3.0 · via Wikimedia Commons
A richly carved torana (gateway) at Sanchi, its architraves crowded with relief narrative.
PhotoA richly carved torana (gateway) at Sanchi, its architraves crowded with relief narrative.Bernard Gagnon · CC BY-SA 3.0 · via Wikimedia Commons
Karli, Nasik, Udayagiri

Chaitya & vihara — rock-cut architecture

Cut into the living rock of the Western and Eastern Ghats, the chaitya is a long apsidal prayer hall, barrel-vaulted, ending in a votive stupa — Karli is the grandest. The vihara is the monastery: a pillared hall ringed by monks' cells, as at Nasik and the Rani Gumpha at Udayagiri. They were carved top-down, finished surface-first — building by subtraction.[3, 4]

Chaitya hall vs vihara — two plans chaitya — apsidal prayer hall votive stupa at the apse nave + side aisles for circumambulation vihara — monastery small cells ring a pillared hall
DiagramComparison of plans: an apsidal chaitya prayer hall with columned aisles ending in a votive stupa, and a square vihara monastery of cells around a pillared hall
The interior of the great chaitya at Karli — a barrel-vaulted apsidal hall, columns leading to the votive stupa.
PhotoThe interior of the great chaitya at Karli — a barrel-vaulted apsidal hall, columns leading to the votive stupa.Oleg Yunakov · CC0 · via Wikimedia Commons
The polished Lion Capital from Asoka's pillar at Sarnath — four addorsed lions on an abacus.
PhotoThe polished Lion Capital from Asoka's pillar at Sarnath — four addorsed lions on an abacus.Apurv013 · CC0 · via Wikimedia Commons
Read across

The Buddhist building types

Select a type to see what it was for and how it was built.

Stupa — a relic mound

A solid hemispherical dome (anda) over relics of the Buddha, crowned by a railed harmika and a mast (yashti) carrying tiered umbrellas (chhatra). A railing (vedika) and gateways (torana) enclose the circumambulation path (pradakshina). The Great Stupa at Sanchi is the finest surviving example.[1, 3]

AspectChaityaVihara
PurposeChaitya: congregational worshipVihara: monks' living quarters
Planlong apsidal hall + stupa at the endsquare hall ringed by small cells
Roofbarrel vault, ribbedflat; pillared central hall
Focusa votive stupa to circumambulatea shrine/Buddha image (later phase)
ExampleKarli chaityaNasik & Udayagiri viharas
Apply it

Study task

Draw a labelled section and front elevation of the Sanchi stupa, naming the anda, medhi, harmika, yashti, chhatra, vedika and torana. Beside it, sketch the chaitya hall at Karli in plan and explain in one line why its plan is apsidal.

Check your understanding

Self-assessment

1. Which part of a stupa is the solid hemispherical dome over the relics?

2. A chaitya hall is essentially —

3. The Lion Capital at Sarnath originally crowned —

In a nutshell

Recap

Buddhism produced India's first monumental architecture: stupa, chaitya and vihara.
A stupa reads outward-in: vedika and torana → pradakshina path → anda → harmika → yashti and chhatra.
The chaitya is a barrel-vaulted apsidal prayer hall ending in a stupa; the vihara is a celled monastery — both often rock-cut.
Asokan pillars carried edicts and animal capitals; Gandhara shows Greek (Hellenistic) influence on Buddhist art.
The evidence

References & further reading

  1. [1]UNESCO World Heritage Centre — Buddhist Monuments at Sanchi (inscribed 1989). https://whc.unesco.org/en/list/524
  2. [2]Francis D.K. Ching et al., A Global History of Architecture. Wiley, 2007.
  3. [3]Percy Brown, Indian Architecture (Buddhist and Hindu Period). Taraporevala & Sons, 1983.
  4. [4]Satish Grover, The Architecture of India (Buddhist and Hindu). Vikas Publishing, 1981.
  5. [5]Christopher Tadgell, The History of Architecture in India. Longman, 1990.
  6. [6]UNESCO World Heritage Centre — Buddhist Ruins of Takht-i-Bahi and Sahr-i-Bahlol (inscribed 1980). https://whc.unesco.org/en/list/140

Further reading

  • Percy Brown, Indian Architecture (Buddhist and Hindu Period) — the standard reference for this unit.
  • Susan Huntington, The Art of Ancient India: Buddhist, Hindu, Jain. Weatherhill.
  • Christopher Tadgell, The History of Architecture in India. Penguin Books India.

Sources gathered and fact-checked June 2026. Published values vary by source, sample and method — treat as indicative and confirm against the cited standard before structural use.