
Sections, Elevations & Details
The technical heart — internal elevations, sections and the detail.
The technical heart of the course. Learn internal elevations — one wall’s finished face drawn flat-on and keyed by the segmented-circle interior-elevation symbol; sections through the space and through elements, the cut plane drawn heaviest; and the large-scale construction details (1:10, 1:5, 1:1) — the joinery section, the false-ceiling section, the flooring build-up, the jamb, and the skirting and cornice profiles. Then the material poché conventions that identify the cut material, and the detail bubble that keys a detail back to its origin so it is never orphaned.
Learning objectives
By the end of this lesson, you will be able to — mapped to the course outcomes for Interior Graphics II:
Draw an internal elevation keyed by the interior-elevation symbol.
Draw a section through the space and through an element with a heavy cut plane.
Draw a large-scale joinery or ceiling detail dimensioned to finished faces.
Apply material poché conventions and cross-reference details back to their origin.
Internal elevations & sections
Internal elevations keyed by the segmented-circle symbol, and sections through the space and through elements with a heavy cut plane.[1, 3, 4]
The finished wall, flat-on
An internal (interior) ELEVATION is an orthographic, flat-on projection of ONE wall of a room, to scale (typically 1:20). Where a plan or section cuts THROUGH the space, the internal elevation shows the finished vertical FACE: wall panelling, tiling coursing and layout, wainscot/dado lines, joinery fronts (wardrobe shutters, kitchen elevations, TV units), mirrors, art, switch and socket positions and heights, skirting and cornice in outline, and datum levels (FFL, ceiling level, door and window heads). It is keyed from the plan by the INTERIOR-ELEVATION symbol — a circle divided into quadrants with an arrow in each pointing at the wall it represents, each quadrant naming the elevation number and sheet. This segmented-circle key is a distinctive interior-drawing device, different from exterior elevation labelling.[1, 4]
Details, poché & cross-refs
The large-scale construction detail dimensioned to finished faces, the material poché that identifies the cut, and the detail bubble that keys it back to its origin.[1, 2, 3]
Hatching identifies the cut
Each material has a conventional HATCH (poché) so the CUT material reads without a note (IS 962): brick — diagonal hatch / coursing; concrete (RCC) — dots and aggregate triangles; timber — grain lines (end-grain vs long-grain distinguished, plywood shown with laminations); stone/marble — irregular veined hatch; insulation — a soft batt/cloud; earth/fill — irregular diagonal; glass — thin parallel lines or blank with edge lines; metal — tight fine hatch. You hatch ONLY what the cutting plane passes through — not surfaces merely seen beyond the cut — and the poché weight is LIGHTER than the cut outline so the profile still reads. Hatching is material identification, not decoration to fill a wall.[1, 2]
At a glance
| Aspect | One side | The other |
|---|---|---|
| Internal vs exterior elevation | Exterior: the building's outside face | Interior: one wall's finished face, keyed by the segmented circle |
| Hatching | Myth: decoration to fill the wall | Reality: identifies the CUT material only, lighter than the outline |
| Detail dimensions | Myth: to the structural face | Reality: to FINISHED faces — what the carpenter must achieve |
| A detail's location | Myth: self-explanatory, floats free | Reality: keyed by a bubble back to its origin, or it is unbuildable |
| Line weight in a section | Myth: one even weight | Reality: cut heaviest, seen medium, surface thin |
Key terms
A flat-on orthographic view of one interior wall's finished face — joinery, tiling, fixtures and datum levels.
The segmented circle with directional arrows on the plan that names each wall's elevation and sheet.
What the section slices — drawn thickest and poché'd; everything beyond it is lighter.
The conventional material hatch on the CUT surface that identifies brick, concrete, timber, stone, etc.
A circle (detail number / sheet number) that keys a detail bidirectionally to its origin on the plan or section.
Name + number + scale on the detail ('Wardrobe Section — Detail 3 / D-501 — 1:5') — never just a drawing.
Drawing task
Draw a large-scale (1:5) sectional detail of a base kitchen cabinet or a wardrobe — carcass boards and thickness, shutter with edge-banding, a concealed hinge, a shelf, a drawer with its runner, the toe-kick and the worktop — with the correct timber poché on the cut boards, dimensioned to finished faces, and hardware called out on leaders. Give the detail a title (name, number, scale) and draw the detail bubble that would key it back to its section. Add a small material-hatching key for four materials you used.
Self-assessment
1. An internal elevation is keyed from the plan by —
2. In a section, you apply material hatching (poché) to —
3. A construction detail must always carry —
Recap
References & further reading
- [1]David Kent Ballast, Interior Detailing: Concept to Construction, Wiley (joinery, ceiling, floor and junction details — the definitive interior text).
- [2]BIS: IS 962:1989 (material conventions, sections, line work and hatching in architectural/interior drawing).
- [3]Francis D.K. Ching, Building Construction Illustrated / Interior Design Illustrated (build-ups, junctions, material representation in section).
- [4]Rendow Yee, Architectural Drawing: A Visual Compendium of Types and Methods (section/detail types, poché, cross-referencing at professional standard).
Further reading
- David Kent Ballast — Interior Detailing: Concept to Construction.
- Francis D.K. Ching — Building Construction Illustrated.
- Rendow Yee — Architectural Drawing.
Sources gathered and fact-checked June 2026. Published values vary by source, sample and method — treat as indicative and confirm against the cited standard before structural use.
The author
Amogh N P
Architect, interior designer, and creative polymath. Studio Matrx began in his notebooks — his vision of design made honest, useful, and open to everyone. Its Academy is written and taught in his memory, and free, forever.
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