Amogh N P
 In loving memory of Amogh N P — Architect · Designer · Visionary 
A materials-and-making bench — samples of plastics, metals and wood beside a 3D printer building a part: the concept becoming real.
Unit IVProduct Design

Materials & Making

What a product is made of, and the processes that make it real.

≈ 40 min + studio task

A concept becomes a product through material and process. This unit covers the material families and the criteria (after Ashby) that choose between them, then the manufacturing processes — injection moulding, casting, forming, machining and 3D printing — each suited to a volume and geometry, and the design-for-manufacture rules that keep a product makeable.

Learning objectives

By the end of this lesson, you will be able to — mapped to the course outcomes for Product Design:

1
CO4 · Understand

Identify the material families and their character.

2
CO4 · Apply

Select a material by function, cost, aesthetics and sustainability (Ashby).

3
CO4 · Understand

Match a manufacturing process to a product's volume and geometry.

4
CO4 · Apply

Apply design-for-manufacture basics.

The palette of making

Materials & selection

Choose a material by function, cost, aesthetics and sustainability — Ashby's charts and indices rank candidates against the design's constraints.[7]

The material families MetalsPolymersWoodCeramics / glassComposites strong, stiffcheap, mouldablewarm, renewablehard, brittlelight, strong each carries a personality of strength, weight, cost, feel and end-of-life
DiagramThe material families for products — metals, polymers, wood, ceramics/glass and composites

The palette of making

Products are made from a handful of families: METALS (steel, aluminium, alloys — strong, stiff, recyclable); POLYMERS/PLASTICS (thermoplastics that re-melt vs thermosets that set permanently — cheap, mouldable, light); WOOD and natural materials (warm, renewable); CERAMICS and GLASS (hard, heat- and scratch-resistant, brittle); and COMPOSITES (e.g. carbon- or glass-fibre — high strength-to-weight). Each family carries a personality of strength, weight, cost, feel and end-of-life.[7]

How a product is made

Manufacturing & DFM

Match the process to volume and geometry, and design for manufacture — because making is part of the design, not a step after it.[7, 1]

Injection moulding — high-volume plastic parts pellets heated barrel + screw split mould → part high tooling cost, amortised over a large run
DiagramThe injection-moulding process — pellets melted and injected into a split mould to form the part

How a product is made

Each process suits a volume and geometry. INJECTION MOULDING — molten polymer into a split mould; complex plastic parts at HIGH volume (high tooling cost, amortised over big runs). BLOW MOULDING — hollow thin-walled parts (bottles). VACUUM FORMING — heated sheet drawn over a mould; large, shallow, cheap-tooled parts. EXTRUSION — continuous constant cross-sections through a die (pipes, channels). DIE CASTING — molten metal into a steel die. SHEET-METAL forming — bending and stamping panels. CNC MACHINING — subtractive, low-volume, high-precision. 3D PRINTING — layer-by-layer, prototypes and low-volume complex parts.[7]

Design for manufacture — add a draft angle No draft — sticks Slight draft — releases minimise parts · uniform walls · draft angles · easy assembly
DiagramDesign for manufacture — a part with no draft sticks in the mould, a part with a draft angle releases
The materials facts

At a glance

AspectOneThe other
Plastic typesThermoplastic: re-melts, recyclableThermoset: sets permanently, heat-stable
High vs low volumeInjection moulding / die casting: high volumeCNC / 3D printing: low volume, no tooling
Hollow vs profileBlow moulding: hollow parts (bottles)Extrusion: continuous cross-sections (pipes)
Selection (Ashby)Rank by material index vs constraintsBalance function, cost, aesthetics, sustainability
DFM driversVolume & geometryMaterial & tolerance
Vocabulary

Key terms

Thermoplastic / thermoset

Plastics that re-melt (recyclable) vs those that set permanently when cured.

Composite

A material combining two phases (e.g. carbon-fibre + resin) for high strength-to-weight.

Material index (Ashby)

A ratio of properties that ranks materials for a given design objective (e.g. stiffness per weight).

Injection moulding

Molten polymer into a split mould — complex plastic parts at high volume; high tooling cost.

Die casting

Molten metal forced into a steel die — strong, precise metal parts at volume.

CNC machining

Subtractive shaping by a computer-controlled cutter — low-volume, high-precision, no tooling.

Draft angle

A slight taper on a moulded part so it releases cleanly from the mould — a DFM basic.

Design for manufacture (DFM)

Shaping a part to be cheap and reliable to make — and design for assembly (DFA).

Apply it

Studio task

For a product concept, choose a material and justify it by function, cost, aesthetics and sustainability; then pick a manufacturing process for it and name one design-for-manufacture change you would make so it can be made affordably.

Check your understanding

Self-assessment

1. For a complex plastic part at very high volume, the usual process is —

2. A draft angle is added to a moulded part so that —

3. Ashby's material selection method ranks candidates using —

In a nutshell

Recap

Products are made from metals, polymers, wood, ceramics/glass and composites — each with its own strength, weight, cost and feel.
Select a material by function, cost, aesthetics and sustainability — Ashby's charts and indices rank candidates against the design's constraints.
Match the process to volume and geometry: injection moulding and die casting for high volume; CNC and 3D printing for low-volume, complex parts.
Design for manufacture — minimise parts, uniform walls, draft angles, easy assembly — because manufacture is part of the design.
The evidence

References & further reading

  1. [1]Karl T. Ulrich & Steven D. Eppinger, Product Design and Development (design for manufacture). McGraw-Hill.
  2. [7]Michael F. Ashby, Materials Selection in Mechanical Design. Butterworth-Heinemann; and Ashby & Johnson, Materials and Design.

Further reading

  • Mike Ashby & Kara Johnson, Materials and Design. Butterworth-Heinemann.
  • Chris Lefteri, Making It: Manufacturing Techniques for Product Design. Laurence King.
  • Rob Thompson, Manufacturing Processes for Design Professionals. Thames & Hudson.

Sources gathered and fact-checked June 2026. Published values vary by source, sample and method — treat as indicative and confirm against the cited standard before structural use.